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Tim Mayer! Jazz woodwind specialist & educator from Boston, Massachusetts

October 8, 2013

Bio

Tim Mayer‘s exposure to music, namely jazz and exotica, began at age 4, when he learned to work his parents’ record player. His favorite records were by Wes Montgomery, Ahmad Jamal, Bill Evans, and Martin Denny. He started playing saxophone when he was ten, and began learning jazz at Florida State University’s Summer Music Camp in 1980, where he found himself studying with many young and talented musicians including Marcus Roberts. In December of 1990, Tim began what was to be a three-year stint working aboard the cruise ships. This provided him with the opportunity to study a variety of styles and play in big bands that accompanied entertainers Al Martino, Vic Damone, Diahann Carrol, Bobby Rydell, Connie Stevens, Jack Jones, and many others.

In September of 1993, Tim attended Berklee College of Music in Boston where he studied privately with Andy McGhee, George Garzone, and Bill Pierce. In 1998, Tim opened for Chucho Valdez at the Baranqui Jazz Festival in Baranquilla, Columbia. In February of 2003, he performed and recorded with the RG Jazz Orchestra in Tenerife, in the Canary Islands of Spain. That same year, he partook in the 4th Seminar and Jazz Festival in Jalapa, Mexico as a performer and clinician.

Tim has performed locally with visiting artists John Faddis, Bob Mintzer, Marvin Stamm, Arturo Sandoval, Nick Brignola Bobby Shew, and Ed Calle, percussionists Eguie Castrillo, Horacio “El Negro” Hernandez, and Giovanni Hidalgo; trombone greats Phil Wilson and Slide Hampton, and pianists Kirk Lightsey (in Seville), and Danilo Perez. Tim Mayer and Rusty Scott have collaborated to perform a tribute to the Tough Tenors (Johnny Griffin/Eddie “Lockjaw” Davis) and the Boss Tenors (Sonny Stitt/Gene Ammons), which has featured on different occasions as special guests Bill Pierce or Andy McGhee.

In 2007, and 2008, Waitiki won consecutive Hawaii Music Awards for three consecutive releases, Charred Mammal Flesh, Rendezvous In Okonkuluku, and  in 2009, Paradise Lost And Found, which was produced by Jim Beloff featuring the arranging and instrumental talents of Waitiki, is nominated for the award.

2009 has also seen a Grammy nomination for another group with which Tim has been affiliated for a long time. ¬†La Clave Secreta, the Timba Salsa brainchild of pianist/arranger Gonzalo Grau, was nominated for Best Latin/Caribbean Album. ¬†While it didn’t win, losing to Jose Feliciano is hardly a disappointment.

2011 is the year Tim’s first recording as a leader, Resilience, is released to superlative critical acclaim. ¬†With a rhythm section that is tops in the business, comprised of George Cables on piano, Dezron Douglas on bass, and Willie Jones III on drums, with guests Greg Gisbert, Dominick Farinacci, and Claudio Roditi on trumpet, Mark Whitfield on guitar, and co-producer Michael Dease on trombone, this release explores both the familiar and the fresh sides of the post-bop genre.

The end of 2011 has also seen high profile concerts in large ensemble settings.  On Dec. 4, at Boston Conservatory, Tim played as a featured member of the handpicked Progressive Jazz Orchestra, which performed compositions and arrangements of Gunther Schuller, George Russell, and Robert Graettinger, directed by Gunther Schuller, in front of a full house and to high critical acclaim.  Also, he performed later with Waitiki 7 in conjunction with the Idaho State Civic Orchestra in front of a sold-out Stevens Performing Arts Center at University of Idaho, Pocatello, also to critical acclaim.

In 2012, Tim joined the Honolulu-based Exotica powerhouse Don Tiki for a West Coast tour that included concert halls in Honolulu (Doris Duke Theater), Seattle (Benaroya Hall), and Los Angeles (Walt Disney Performing Arts Center).

Since 2001, he has been on the Berklee faculty teaching at the Saxophone Weekend, the Five-Week Program, Berklee’s City Music Saturday School and as Outreach faculty at Boston Arts Academy, and filling in for various faculty members during the year.

Professional endorsements include LeBayle Mouthpieces, which are custom made by hand by renowned craftsman Fred LeBayle, out of his Brooklyn, NY workshop. ¬†Fred works with you to help you find your sound, and to bring that sound out through the mouthpiece, which is where the sound begins. ¬†I find him to be a consummate craftsman, who knows the relationship between the artist and the chamber and facing of the mouthpiece, as well as understanding the artist’s taste in reeds, and how to accommodate that. ¬†Where else are you going to find this level of attention to detail and expertise? ¬†One of the most refreshing aspects of working with Fred is his honesty; he is not so interested in selling you your next mouthpiece that he will tell you something sounds like you when it doesn’t. ¬†He will be the first to tell you when it doesn’t, and then he has a better idea of what he has to offer that will sound like you. ¬†He is constantly working to develop new mouthpiece profiles that accommodate a variety of sounds and styles, and there is something for every player that will bring out his/her sound in a way that can’t be found elsewhere. ¬†Fred is a resource of great value to any serious saxophonist.

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